Dramatic Light: The Search for Big Sur’s Secret

Almost a year ago, I made my first trip to Big Sur California. I had seen photos and heard rumors of Big Sur and its natural beauty, but I had never taken the time to explore the location.
Upon first arrival, it was difficult to accept this area as having any relation to California. On the west side of the highway, the turquoise waves crash against steep cliffs. The chunks of earth peppered along the coast are a reminder of the land that once stood, but had fallen to the power of the sea. Many of these blocks have been worn and battered by the elements to the point where their bases have been hollowed. These unique arches are a test of time and our world’s natural power.
To the east of the Highway stand the 3,000 foot Santa Lucia mountains. The terrain eliminates the possibility of metropolitan development while offering a pristine habitat for flora and fauna. The lush mountains are home to waterfalls, rare orchids, and several types of redwood trees.
My first trip was spent documenting some of the well known sites of the area such as McWay Falls and Garrapata Beach. But since my visit in 2010, I had heard of rare Light that only occurred during a specific time of the year. I had been told during one week in November the sun sets in the horizon aligning with one of the area’s arches. Not only did the season play a factor in this occurrence, but so did the weather and tide patterns. My most recent photo adventure was to find this dramatic light at Big Sur.

Dramatic Light At Big Sur Alex Pollini

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Fall Colors in the Eastern Sierra

October and November in the eastern Sierra always brings back the vibrant hues of fall. The Aspen trees serve as the indicator that winter is imminent as they slowly change in color. As the warm summer air begins cools, the hills transform into a sea of red, orange, and yellow. This year I decided to try my luck in the Rock Creek drainage. Finding my vision took most of the day and required a lot bush whacking. With legs scratched and bleeding and shoes soaked and muddy, I finally descended upon several openings in the creek. This Aspen grove was unique in the sense that it grew in an area overwhelmed with tall grasses. Laying on the soft bed with wind rustling through the golden leaves and water rushing near by, my mind slowly drifted. The serenity was overwhelming.
When it took several wrong turns to find my way back to the car, I realized I’d be lucky to find this spot next season.

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Mt. Agassiz Sunrise Adventure

Mount Agassiz and Palisade Range

The Sierra Nevada is home to Yosemite National Park, Lake Tahoe, and the tallest peak in the contiguous United States – Mt. Whitney. 100 million years of underground formation followed by four million years of uplifting and glacier erosion has made the Sierra’s features unlike any other mountain range. Upon first glance, the walls appear scarred and battered as most geological formations do, but with closer examination one will discover the intricate work of our world’s natural elements. Shear polished walls, severed shelves, glistening Quartz Crystal, and granite blocks stacked as if performing a balancing act. It often appears the Sierra has been sculpted an artist.

Located on the south eastern side of the Sierra stands the hulking Palisade Range. Some of the tallest peaks in the country rest here – Mount Sill, North Palisade, and Middle Palisade. While an ambitious feat, there is an overwhelming desire for climbers to summit all of these peaks in a single outing. Not only is this range famous for it’s 14ers, but also carries the title as the home to the southernmost permanent glacier in the Northern Hemisphere – the Palisade Glacier. Like most of the world’s glaciers, the Palisade Glacier is retreating and will soon be gone. One small kept secret about this area is Mount Agassiz. At 13,900 feet, it’s seems alienated by its neighbors. While it maybe 100 feet shy of the 14,000 mark, Mount Agassiz, in my opinion, has one of the most scenic summits on the east side of the Sierra. And depending on the shape of the hiker, it can be treated as an afternoon adventure.

Since my first climb of the peak several years ago, I’d been wanting to photograph the Palisade Range during magic hour. Not only did I desire to capture the alpen glow reflecting off the white granite walls, but I had a longing to summit another peak at sunrise. Since my expeditions to the top of Mt. Whitney, Basin Mountain, and Mt. Tom, I had become addicted to the sense of freedom that results from standing on top of these peaks at sunrise.

Due to my recent move to Los Angeles and a knee injury, I decided to make the trip in late August. The trip was initially intended to test the health of my knee as I had been planning to hike the Sierra High Route in early September.

I embarked on this adventure with a childhood friend, Jacob, and his dog, Smoke. It was the first time back in the Sierra since my last days on the John Muir Trail and being back in the wilderness energized my spirit. Along the way, we gathered wild onions for dinner and swam in a cool apline lake before heading to Bishop Pass. It was a nice break to be away from the city. The passing hikers always seemed to say “hello” with a smile – I had almost forgot how friendly people were on the trail. Once we setup camp, I sprinted down into Dusy Basin to capture sunset.

Back at camp, Jacob and I shared a filling meal of potatoes and chili. Smoke ate the leftovers which later resulted in a disturbing amount of gas.

I didn’t get much sleep (thanks to Smoke) and I woke to discover I would be hiking the final 2,000 foot 2nd/3rd class alone – Jacob changed his mind. I cruised the first half of Agassiz, but about half way my knee became irritated. I attempted to stay on the 3rd/4th class sections as a means to climb more on my arms than my legs. Unfortunately the final approach was an unavoidable section of boulder hopping which made every step more painful. I finally made the summit with about 5 minutes to spare. As envisioned the rising sun hit the Palisade Range with a beautiful pink hue which slowly gave way to a vibrant orange then yellow glow. The view was spectacular.

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Northwest Light Coming Soon

Northwest Light Last semester I had the opportunity to direct and shoot a short documentary – Northwest Light. Often referred to as “The Treasure State,” “The Last Best Place,” and “The Big Sky Country” Montana is known for its vast open tracts of land, its natural beauty, and simple living. Through an examination of the variety of lifestyles and people occupying the state, Northwest Light investigates Montana’s transformation from natural beauty to contemporary suburbia. Using vivid and metaphorical cinematography, Northwest Light presents intellectual messages about the state’s past and present while alluding to its future.

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Mount Basin Sunrise Expedition

Sunrise on Mount Humphreys For the fourth of July weekend, I had the opportunity to travel back to Bishop and indulge in a few of my favorite activities – climbing, hiking, and snowboarding. Since my last ascent of Basin Mountain in 2010, I’ve had the desire to capture Sunrise on top of the 13,000 foot peak. The views of Mount Humpreys can’t beat! Unless of course you’re flying over the sierra in a single prop airplane (see “Sierra Sunrise. The Ultimate Tour” post).

While previous plans involved spending the night in the Basin and making the ascent early in the morning, Doug Tomczik made a convincing argument to cut the camping. With Robert Holder leading the pack, we made our approach around 12:30 a.m. With no moon nor clouds, the Milky Way and Stars illuminated the night! During our rests, the headlamps would turnoff so we could embrace the beauty of the night sky. Robert having recently returned from Minnesota and I, Montana, we found the temperatures to be pleasant. We made the hike in our shorts while Doug, in pants and coat.

After 3,000 vertical feet of hiking, another 2,000 vertical foot trudge up the east couloir, a wrong turn, and a final 400 foot 4th class climb we made it to the top.

Here are a few images from the trip including an aerial shot of the mountain from a previous post. The panorama consists of 6 stitched images.

Click the small arrow/box on the upper right corner of the image to enlarge!

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Spectacular Universe Publication

Spectacular Universe

Astronomy's Collector Edition

Be on the look out for another Pollini Productions image in Astronomy Magazine’s special issue – Spectacular Universe. Spectacular Universe is Astronomy’s first-ever publication that features only the work of amateur astroimagers.

See more at: Astronomy

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Skye Bigg Nation Teaser

Last week Pollini Productions teamed up with hip-hop group Skye Bigg Nation to create a teaser for artist Jerzey Lee. The project was shot, edited, and designed in less than three days.

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“Blood Money” Trailer

Blood Money Screen Shot“Blood Money” is a 16mm short developed by Bryan Baldwin and myself.  The Film was shot entirely on 16mm Kodak 7266 Tri-X Reversal Film and was hand processed by the filmmakers.  The completion of the film is projected for late spring. Original score by Alex Pollini.

A special thanks goes to:
Suzanne Miller and the employees of Dunrovin Ranch – Dunrovin Ranch
Maria Craig of the Bureau of Land Management

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Recent Publications! Mammoth Sierra Magazine and California Sportsman

Be on the lookout for some familar images in the Mammoth Sierra Magazine and California Sportsman Magazine.

The local Mammoth Sierra Magazine featured my Wild Iris Pond for their spring issue and California Sportsman’s March issue featured an article on the eastern Sierra and included a inside spread of Winter Sunrise at Farmer’s Pond.

Wild Iris Pond

Wild Iris Pond, Round Valley, CA

Farmers Pond

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A Midnight’s Frolic

“A Midnight’s Frolic” is an experimental piece using oversized kaleidoscopes and various pieces of fabric.  I wanted “A Midnight’s Frolic” to be aesthetically pleasing as well as emotionally soothing.

Developing the kaleidoscopes took numerous weeks of research and mirror design.  These scopes eventually measured 2 feet long and around 3 to 10 inches in diameter (depending on the number of mirrors).   The kaleidoscopes ranged from 3 mirror designs to 6 mirror designs to tapered mirror designs. Combined with 15 different fabrics, I photographed hundreds of unique patterns.  At one point I placed an oversized fake diamond between the fabric and kaleidoscopes which multiplied the number of angles by at least 10 offering what seemed to be an infinite number of patterns.

Music by John Etherridge and Mark Johns

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